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October 22, 4:00 pm Eastern
Inaugural recitalist, Allen organ, White Bluff United Methodist Church Savannah, Ga.

November 12, 3:00 pm Eastern
Guest recitalist, Charles Town Presbyterian Church, Charles Town, W.V.

February 11
Inaugural recitalist, Casavant organ, Forest Lake Presbyterian Church, Columbia, S.C.

March 9, 2018, 12:15 pm Eastern
Guest recitalist, National City Christian Church, Washington, D.C.

March 11, 2018
Guest recitalist, Waldensian Presbyterian Church, Valdese, N.C.

May 13, 2018, 5:00 pm Eastern
Guest recitalist, First Presbyterian Church, Wilmington, N.C.

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Saturday
May272017

The Theory of Evolution

I now find myself in the middle of a recording project of the complete Widor Symphonies, plus his Suite Latine, Trois Nouvelles Pièces, and Bachs Memento. I am having the time of my life. Recording is an expensive habit, but it works for me.

My recording process is evolutionary. I think, "Gee that's a wonderful piece. I should record it." Or I think, "Gee, that's a wonderful organ. I should record on it." Once I get those two ideas into the same sentence and have rep matched to an instrument, then I call my producer, and we start looking into it. He and I and the recording engineers he calls "the secret weapon" have already recorded three times together. Our first was the Widor Sixth and Romane Symphonies on the landmark Aeolian-Skinner at St. Mark's Cathedral in Shreveport, detailed here. That organ needed recording, and the Romane needed to be recorded on it. A few months later, the four of us met in Houston and recorded Jongen, Brahms, and Reubke on the Fritts organ at St. Philip Presbyterian, detailed here. That recording is done and on the Centaur label, entitled "Sonatas and Variations." Our third project was an all-British program recorded on the landmark Aeolian-Skinner at First Baptist in Longview, Texas.

It wasn't long after that that we just HAD to get our hands on my beloved Aeolian-Skinner at First Presbyterian in Houston, where I "presided" from 1997-2005. Our first thought was all-Howells, but then the idea of doing two more Widor Symphonies presented itself, and then Evolution took over, and the complete Widor project was officially born.

This post appears in the "News" tab of this website, and so the news is that I'll be heading to Houston on June 12 to record Widor Symphonies I and V. That will leave only six Symphonies to go, plus the three extra pieces. We have already received clearance to record on the E. M. Skinner at First Presbyterian in Wilmington, N.C., and we have received clearance to record on another landmark Aeolian-Skinner in the Midwest.

Evolution also struck in the selection of instruments to record Widor on. As it turns out, Aeolian-Skinners, E. M. Skinners, and maybe even an Aeolian have become our instruments of choice. At first, that was coincidental. Now it's deliberate. Now I'm on a mission. And I believe in evolution.

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